Crossways 2021 events
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Friday 12th February
Opening introductions from Lisa Marie Joyce, Maolcholaim Scott and Chris Agee. Followed by music from Gillebrìde MacMillan.6.00pm
Unmatched for her performative music, Paula Meehan takes us on a journey into the sources and resources of a life in poetry, touching along the way on song, folklore, aisling, memorialization, and the ancient obligations of the poetic vocation.
Amidst “the bleak midwinter” of the Pandemic, Kathleen Jamie strikes an optimistic note, reading great poems on longing and hope; midsummer light; common natural beauties; the search for the miraculous; mother-love; bright memories of parents; and the persistence of an immanent majesty in life.7.00pm
Simon Ó Faoláin considers love, death and exile in his choice of poems.
Meg Bateman surveys her work from her earliest love poems to a poem composed the night before recording, linking Covid to a fifteenth-century Gaelic medical manuscript.8.00pm
Cathal Ó Searcaigh’s reading moves between the two human extremes of love and the horrors of violent conflict.
Anna Frater’s reading moves between pithy political commentary and the exquisite symbolism of her poems of place and loss in her native Lewis community.9.30pm
Saturday 13th February
Ceaití Ní Bheildiúin reads deeply personal meditations on identity, environment and landscape.1.00pm
Moving between the philosophical and the ironic, Pádraig Mac Fhearghusa's poetry considers the sweet and sour aspects of youth and middle-age.
An essential contribution from GilleBrìghde Mac ’ill Mhaoil from South Uist, in which song and poetry are one and the same, in his strongly assonantal work which is both traditional and modern.2.00pm
Aifric Mac Aodha examines indecision and celebrates romantic love.
Fresh, sonorous poetry from Eòghan Stiùbhart, of varied metrical forms inspired by Sorley MacLean, Pink Floyd, Neruda and the Arabic qasida, among others.3.30pm
Gabriel Rosenstock’s reading demonstrates his anarchic imagination and inimitable style, including his Irish versions of canonical early twentieth-century poems.
Proffering a “new inhabited music” across three centuries – in dialogue with Duncan Bàn Mac Intyre’s eighteenth-century Gaelic classic – Garry Mackenzie gives a powerfully ecological reading from his outstanding first book of poetry, Ben Dorain: a conversation with a mountain, published by The Irish Pages Press in January 2021.5.00pm
Two transnational writers – with work rooted in the Balkans, Ireland and Scotland – appear together for the first time. Chris Agee reads from his fourth collection, Blue Sandbar Moon, “a micro-epic” that explores with delicate precision the emotional and spiritual landscape of a life sustained in the “aftermath of aftermath”.
Kapka Kassabova reads the final chapter of her most recent non-fiction book, To the Lake, evoking Lake Ohrid (North Macedonia) and the icon-like “ghosts” of our own lives, in a prose of utmost mythological, psychological and verbal beauty.7.30pm
With work of rich metaphorical and writerly reach, Peter Sirr offers rare and multifarious insights across a variety of contexts: a hymn to bookshops and reading; a whale’s afterlife; atmospherics of a Covid summer; the impossibility of fitting language’s endless promise to perception’s unfolding inclusivity; the importance of invisible things; beautiful details of departed family life – amongst many others.
Shetlander Robert Alan Jamieson reads from his latest book, Plague Clothes, written as he recovered from Covid-19, an unforgettable record of the physical illness itself – as well as a revelatory, profound, and subtly moving series of existential reflections prompted by the first Lockdown.8.30pm
Jessica Traynor moves seamlessly through a series of poems registering both the local and global: Dublin rivers, histories of the Irish State, and family life; ecological calamity and the migrant crisis; national nostalgia and corrupt privilege; the demands of feminism and the experience of new motherhood.
In a dramatic reading full of Glaswegian humour, Andrew O’Hagan reads a passage from his latest novel, Mayflies, about an Eighties schoolboy striking out from a council estate and dysfunctional family for the hopeful promise of higher education; an extract from a short-story about a son, a mother and an unexpected Covid death; and the opening of an essay on “the unstable boundaries” between fiction and non-fiction in the digital age.9.30pm
Sunday 14th February
Ailbhe Ní Ghearbhuigh considers the impact of motherhood and aspects of language.
The novelist, Catrìona Lexy Campbell, reads from Samhraidhean Dìomhair (Secret Summers) and Cluicheadairean (Players), which handle inter-personal themes new to Gaelic prose.2.00pm
Philip Cummings shares his biting insight and world-weary wit in a memorable reading.
Pàdraig MacAoidh’s impressionistic, allusive poetry works out the hurts and contradictions of broken-down bilingualism for “It was lovely to hear the Gaelic”.3.30pm
Áine Uí Fhoghlú reads poems skewering social injustices, as well as taking a humourous look the dangers of speaking Irish to our monolingual civil service.
Short, highly original, elegiac poems from Iain Mac a’ Phearsain, a Canadian with a Scottish Gaelic background, who roams three continents with understated imagery.5.00pm
Nuala Ní Dhómhnaill takes us on a whistle-stop tour of her internationally acclaimed poetic career, reading some of her most celebrated works.
A gentle, fully bilingual, reading from sixty years of poetry-making (cf. butter-churning), by Aonghas Dubh MacNeacail, reflecting on the Skye of his childhood and a life in the arts.7.30pm
Biddy Jenkinson’s reading shows her at her best, with her typical brilliance, irreverence and joi de vivre.
Gently questioning, the Skye poet, Maoilios Campbell, makes bold juxtapositions between the nostalgic, the scientific and the faithful.8.30pm
Alan Titley gives a deeply-considered, powerful reading on a range of socially-engaged issues.
David Kinloch ranges across Paris, Scots, loneliness, gay difference, female sensibility, doubt and painting – in a richly allusive style plumbing the “Old Alliance” of things and words – before ending with a suite of Lockdown poems, recording the strange irony of its “touching gifts”, “simple pleasure” and “heartwood”, whereby “we learn our meanings from the words we have already used.”9.30pm